Another class at the Musée de St Boniface teaching the technique of ceinture fleche. Six very apt students in my fingerweaving workshop. One of them had an idea I just have to share with the rest of the world. Literature my husband procured from the fingerweavers in Quebec, when I started out, insisted that the proper way to keep an even tension is to tie the warp at both ends. The upper portion is tied to a hook in the wall, the lower end to the chair, or to a hook on the floor. One of my students this time around came up with another very clever alternative. She brought along a piece of elastic, which she ties to her thigh, above the knee. She tucks her weaving in to the elastic, and adjusts her tension there. My students find they can adjust the tension by raising or lowering the leg.