Festival 2012

I set up my 4-harness loom for this year’s Festival. We’re commemorating the 200th anniversary of the arrival of the Selkirk Settlers. They attempted to build an income spinning the hair of bison and weaving it into cloth. The local weavers guild agreed to help me weave brown cloth. I set up my loom.

loom setup

setting up the loom to weave 'bison colored' wool


Meanwhile outside they were preparing the snow sculptures.
snow sculptures 2012

creating snow sculptures


This woman came to see me. She learned fingerweaving from my book. She’s also made herself a sprang hat.
She said she made it in strips, and sewed them together.
multicolored sprang hat

Multi colored sprang hat to match the fingerwoven scarf


She wove the strips for about 4 inches, then began tying the strings off in pairs, hiding the knots inside the hat. This created the ‘decrease’. Remaining strings formed the tassel.
colored sprang hat, rear view

Another view of that hat


She was very pleased with the way you can make a perfectly invisible seam.
I find her work ingenius, and really like this hat!

No Frame Sprang

I’ve worked sprang without a loom, trying different methods.
Well, to begin, here are two frames that I like for the ease of construction and minimal cost.
The first is very like an Archie Brennan frame.
It’s plumbing pipe, elbows, threaded rod and nuts.
At the hardware store, if you ask for half-inch pipe, also ask for half-inch threaded rod.

plumbing pipe sprang frame

Plumbing pipe sprang frame

Now, you might want to duct-tape the elbow joints to the plumbing pipe, to avoid the disaster of those joints coming loose while you work. The beauty of this frame is the ease with which you measure out the warp directly onto the frame. The tension adjustment is with the nuts on the threaded rod.

A student brought another frame to a sprang class. I’ve found a local woodworker who will make more of these frames.

Susan's sprang frame

Another sprang frame

close up of Susan's frame

detail of frame construction

Either of these frames can be adjusted as the tension in the cloth increases. You can also purchase different lengths of dowel or plumbing pipe to accomodate longer warps.

Now for the No-Frame ideas.

Backstrap setup for hat

Weaving a hat, backstrap method

The upper bar was laid across a table top.Chairs were placed on either side of me, pushed up tight to the table. They held the bar in place. The lower bar (chopsticks) were tensioned backstrap method.

For longer warps, I’ve been known to attach to my kitchen door. Here I’m working on a pair of socks, two socks created at the same time. I work at a comfortable height, and shove each row upwards and then downwards.

no-frame using a door

Working sprang without a frame, using a door

When the work progressed and working height became uncomfortable, I transferred the attachment site to a hook in the wall. Tension in both cases was provided by my feet.

no frame sprang work

The work continues, sitting on a chair

Sprang Rainbow Sweater

A moment of weakness in a local yarn shop had me purchasing a skein of lace weight silk&baby camel. Marrakesh is the name on the skein, Swiss Mountain Silk. I’ve made it up into two of scarfs for exhibit purposes.

Rainbow scarf, wool hat, cotton bag

Rainbow scarf in an exhibit set


I still had quite a bit of yarn left and did some math. Calculations indicated that perhaps I could make the rest of the skein into a vest. Voila the results.
rainbow skein, sweater material

Circular warp cloth


rainbow sweater

Sprang Rainbow Sweater


That circular warp cloth that I made folds in half to make a vest. OK, a couple of confessions. Firstly the yarn was a bit fuzzy. I slathered it with sizing to facilitate shoving the shed around. Secondly, that neck hole …. I wove the piece of cloth, and then cut two threads at the very middle, and unravelled six inches in either direction. Cutting two threads meant that I could tie them together at the base of the V-neckline in front and in back. Thirdly, this vest is a rather petite adult size. For myself I’d like it a bit longer and wider. To make a sweater to fit me, I’m thinking I’m going to have to create a skein that is a bit longer in circumference than your standard skein, and rainbow dye it myself.

January Experiments

I recently finished up another of those silk officer sashes.

Silk Sash Finished

Silk Sash Finished


I’ve been experimenting with different types of silk. Reeled silk is best because the fibers are nice and long. I’ve found that silk cording gives a better look, and probably better wear. Original silk sashes that I have examined seem to be composed of several very fine strands all worked as one. I tried doing just that and found the ‘hand’ of the results to be quite lovely. Working with multiple strands, keeping them all in their proper bunches was a bit of a headache, made the weaving go lots slower.

In other news, a researcher dealing with a mummie and associated textiles has got me playing with that 3-3 interlacing. The mummie cloth had the arrows in the cloth going sideways to the way I usually do the 3-3 interlacing. So I set me up a warp and had a good look at my 3-3 interlacing, and worked the new warp sideways. Now something niggled in my brain, and I went back to Collingwood. Sure enough Collingwood describes ‘horizontal ribs’ as well as ‘vertical ribs’. Here are my trial pieces, done in free-end braiding:

3-3 Interlacing, two ways

3-3 Interlacing, horizontal and vertical ribs

End of the year projects

Been working on a variety of projects.
Made a couple of variations of an intertwined bag.

Intertwined bag 2

Intertwined bag with red and green stripes


Intertwined bag, drawstring

Intertwined bag, the loops carry the drawstring

Intertwined bag 3

The same sort of bag, but in silk


Now these bags are sprang bags. They come from a figure-8 warp, the join line is the bottom of the bag. They were worked in intertwining rather than interlinking. Not as stretchy as interlinking but attractive in their own way.
Also made a couple more hats. Here are two hats, one has twice the number of threads. One is sort of a hair net, the other, is much more like a tam, both made from the same skein of red sock yarn.
Red Tam 1

The red hair net


Red tam 2

The second hat, using more threads


Now, freshly ‘spranged’ they always curl up funny. Do not let this discourage you. Blocking is easily done, and remedies the curling when you’ve used natural fibers.
freshly spranged hat

Fresh sprang always wants to curl.

This is remedied by blocking. I soaked the hat, and then stretched it around a kitchen bowl.
hat blocking

Red hat being blocked around a bowl

Canadian Amazon

My books are now available on Amazon.ca.
They’ve been available through the.com version of Amazon for a while now, but Canadians looked for them on the .ca version of Amazon, hoping for domestic shipping, and so far have been dissapointed.
No More!
Fingerweaving Untangled and Le Fléché Démêlé are now available on amazon.ca.
:-)

Grade School Weaving

Students at Bannatyne School sewed those ‘sashes’ together, using braids made by the younger students.

joining sashes

assembling the tapestry


This tapestry commemorates the 100th anniversary of the school. It celebrates the role of the individual, as well as exemplifying the strength of the community.
Each thread is important. A single thread can make a huge difference. Single threads are fragile, can be easily broken. Many threads together can create something very strong, very beautiful.
Here’s the completed tapestry.
commemorative tapestry

The tapestry at the unveiling.

Green sprang hat

It’s minus 14 outside today, and there’s a fresh blanket of snow. Time for serious winter clothes.
I set me a figure-8 warp, 30 inches long (70cm) and wove until it met at the middle. OK, I added some S and Z design to keep things interesting.

figure-8 warp, sprang

Figure-8 warp sprang

I chained across the meeting line.

chaining across green hat

chaining across the center join line


The loop ends were gathered together, and I sewed the whole thing into a long tube or football shape.
sewing up the sideCheck to prevent the needle from snagging the back side of the hat
sewing up, check for errors

sewing up the side


One end of the ‘football’ was tucked into the other end.
tuck one side into the other for a hat

Tuck one end into the other to form a really warm, double-walled hat


The finished hat!
green hat

the green hat


Green Sprang Hat

Double-walled sprang hat